The production itself is already an historic one, as it will be the first Opera commissioned by the DIT
Conservatory of Music and Drama’s in more than a quarter of a century. Indeed, the conservatory has already invested more than €500,000 in the redevelopment the Gleeson Theatre in Dublin, where the opera will be staged.
‘This is an incredibly difficult chal- lenge. The opera last for about two hours and | think I’m physically on
stage for about an hour and a half of that. It’s a huge huge challenge so it will either make me or break me as a performer. We have a VIP night on the first night of the show which will have all the industry insiders as well as people like Mary McAleese,” said Peter.
“It’s a huge physical challenge as well. I have been going to the gym
three times a week, haven’t being go- ing out and have been going to bed early every night.
‘The is the fist time in a long, long time that the conservatory has put on an opera so it a very big deal up ite) Kemet
Peter is currently in the final year of his honours degree at the DIT Con- servatory of Music. After he com- pletes his formal studies in Ireland, Peter will have to go abroad, proba- bly to Italy, to continue his training.
‘Next year I’m going to take a year out, go back to Clare and work on the farm with my dad. I’m also go- ing to do a bit of teaching with Ar- chie Simpson from the Lismorahaun Singers and try to save some money, ” he continued.
“I’d like to do a two year Masters in Performance after that and Ill have to go abroad to do that, as it is not available in Ireland. It is very diffi- cult to find a teacher to take you on for this but I’d love to go to Italy and learn from the masters over there.”
Peter began singing as a young teenager with the Lismorahaun Singers alongside fellow Clare sen- sation Naomi O’Connell from Bal- lyvaughan and Dean Power from Clarecastle.